serum114:

Lara Stone in Dream Weaver Alasdair McLellan for V Magazine Fall 2014

serum114:

Lara Stone in Dream Weaver
Alasdair McLellan for V Magazine Fall 2014

vampbats:

this is side one

vampbats:

this is side one

skt4ng:

"La Cuisine" | Florence Bistarelli SS/2015 photographed by Charlotte Abramow

skt4ng:

"La Cuisine" | Florence Bistarelli SS/2015 photographed by Charlotte Abramow

nadine-i:

Steph.
©Nadine Ijewere

nadine-i:

Steph.

©Nadine Ijewere

Enjoy your body, use it every way you can. Don’t be afraid of it, or what other people think of it, it’s the greatest instrument you’ll ever own.
Kurt Vonnegut  (via cat-blood)
aqqindex:

Ettore Sottsass and Aldo Cibic, Aiko System, for Arclinea, 1983

aqqindex:

Ettore Sottsass and Aldo Cibic, Aiko System, for Arclinea, 1983

I meet you. I remember you. Who are you? You destroy me. You’re so good for me. How could I have known that this city was made to the size of love? How could I have known that you were made to the size of my body? You’re great. How wonderful. You’re great. How slow all of a sudden. And how sweet. More than you can know. You destroy me. You’re so good for me. You destroy me. You’re so good for me. Plenty of time. Please. Take me. Deform me, make me ugly.
Hiroshima Mon Amour (1959) Alain Resnais (via modernicide)
bodyfluids:

Leila Nda for ELLE France September 2014, photographed by Camille Armbrust

bodyfluids:

Leila Nda for ELLE France September 2014, photographed by Camille Armbrust

documentassion:

Roy Lichtenstein (1923-1997), ‘Artist’s Studio “Foot Medication”’, 1974, oil and Magna on canvas, 243.8 x 325.1 cm.

documentassion:

Roy Lichtenstein (1923-1997), ‘Artist’s Studio “Foot Medication”’, 1974, oil and Magna on canvas, 243.8 x 325.1 cm.

clonist:

Ann Demeulemeester S/S 2012

clonist:

Ann Demeulemeester S/S 2012